Miranda Lambert is a Grammy award-winning country artist who also has a strong passion for animals. (I mean, she owns seven rescue dogs herself!) BuzzFeed sat down with her during this year’s CMA Fest to answer some of your most burning questions. All questions were submitted by members of the BuzzFeed Community.
At first glance, the ratings for Showtime’s Twin Peaks: The Return were decidedly not good. Two and a half years after the project was first announced in October 2014, the May 21 premiere of the David Lynch–Mark Frost collaboration brought in only 506,000 viewers (and this after all that time, a standoff with Lynch about the show’s budget, and a lot of promotion).
The weak ratings have only deteriorated further in their Sunday night premieres on Showtime. The most recent episode, for instance, Part 7 of Lynch’s 18-episode movie, drew only 294,000 viewers. Is that because of reboot fatigue across the board? Are fans of the show’s first iteration on ABC still feeling burned by its infamous Season 2 flameout? Have millennials not heard of Twin Peaks at all, despite its huge influence on shows such as The X-Files, Lost, and Westworld?
The answer seems to be that Twin Peaks: The Return may actually be the most illustrative example through which we can quantify how television viewing is changing. Because, according to Showtime’s metrics, 3.1 million viewers have watched the May 21 premiere, a number that will continue to grow as viewers decide to catch up on or binge the show. Through its first two weeks (Parts 1–4), Twin Peaks has averaged 2.5 million viewers across all platforms.
Those numbers include viewership across Showtime’s channels, delayed viewing, on-demand viewing, and streaming. It’s the streaming where things get truly complicated, considering all of the options there are to do that: Showtime’s standalone streaming service, launched in July 2015, is available through Apple TV, Hulu, Amazon, Roku, Sling TV, and more. As Showtime has stated previously — without releasing hard numbers — the weekend of the Twin Peaks premiere accounted for the network’s best days ever for sign-ups for its streaming service. And, according to Showtime, Twin Peaks has the highest percentage of streaming viewers of any of its original shows. This is the future, especially for premium channels such as Showtime and HBO, which don’t rely on an advertising-based model for revenue — and in the future we will all have headaches!
What’s certainly true is that Nielsen, which measures audiences on linear TV and accounted for the early dismissal of Twin Peaks‘ ratings, is fairly useless here. All of those companies mentioned above (plus Sony PlayStation Vue, plus Google, plus Samsung, and, yes, there are probably more services offering the Showtime app that I don’t even know about) give Showtime their own additional viewer figures. That’s how the network knows that its most popular shows are Shameless (an average of 6.4 million viewers for its most recent season) and Homeland (6 million), and that Twin Peaks is performing better than Masters of Sex, House of Lies, and Episodes, all of which lasted multiple seasons on Showtime. And Showtime actually releases those figures, as opposed to Netflix, Amazon, and Hulu, which release no numbers at all, and skate by solely on a word-of-mouth presumption that 13 Reasons Why, Transparent, and The Handmaid’s Tale are successes with audiences. (They probably are! But numbers would be nice.)
Twin Peaks is likely a singular event. Lynch appeared before journalists in January at the Television Critics Association press tour, and while he didn’t entirely shut the door to more, he seemed fairly certain this would be the end of it: “Well, before I said I wasn’t going to revisit it, and I did. You never say no. But right now there’s no plans for anything more,” Lynch said. (That answer counts as decisive for Lynch. When asked at the same press conference how he and Frost divided their work, Lynch said, “Well, in the beginning, many years ago, we were, Mark and I, as if lost in the wilderness, as it always is in the beginning, and then we seemed to find some mountain, and we begin to climb, and when we rounded the mountain, we entered a deep forest, and going through the forest for a time, the trees began to thin.” That was only part of the response, which ended with: “This story continues.”)
The first incarnation of Twin Peaks changed television as we know it. Though soap operas had created serialized television, Twin Peaks popularized the serial murder mystery, and mystery television in general, from Fringe to Fargo, and so many more. It also served as a cautionary tale about not having a plan, after ABC executives forced Lynch and Frost to resolve the “Who killed Laura Palmer?” mystery, leaving them with nonsensical dreck for the remainder of Season 2, which caused the original show’s demise. Twin Peaks also demonstrated that the aesthetics of television could be beautiful and filmic, and not the garishly loud templates provided by network sitcoms and (often) dramas.
It’s hard to say definitively what Twin Peaks taught television the most back in the early ’90s. But what it’s teaching us now is that television ratings as traditionally quantified are not always what they seem. The splintering of TV viewing is confusing, and sometimes frustrating, but if it affords us television such as Twin Peaks, let us quote Agent Cooper from the show’s original run: “I have no idea where this will lead us, but I have a definite feeling it will be a place both wonderful and strange.”
Julia Stiles made a name for herself 18 years ago with her feminist portrayal of Kat Stratford in 10 Things I Hate About You and has been a permanent fixture in cinema and TV ever since, playing an assortment of seriously badass female characters.
Her new TV show, Riviera, is no exception. Sky Atlantic’s new 10-part series charts the life of Georgina (played by Julia), whose husband is mysteriously killed in a yacht explosion leaving her to unearth the secrets beneath his fortune and lavish lifestyle. If it sounds dramatic, that’s because it is – when BuzzFeed UK sat down for a chat with Julia recently she said this is the first time she’s had to actively distance herself from a character after a day of shooting, because she “experiences so much tragedy” in the show. She also has no idea how the plot will culminate, as the cast shot multiple endings.
But that’s not all she told us during our chat. In homage to the movie that propelled her into the mainstream consciousness, we decided to find out 10 things we never knew about her before – and the results were honest, funny, and enlightening.
Julia Stiles: A sommelier. I mean, just because wine is great. But I feel that it’d be really interesting too – the way wine is grown and cultivated. You’d probably get to go to some interesting parts of the world.
JS: Anywhere where there’s sun and saltwater is pretty great. The south of France is amazing and I really can’t say that enough. I lived there during the filming of Riviera and even though we were working there, every weekend when we had time off I’d go exploring and it felt like a mini-vacation. It has the food, the beach, the language. It’s pretty wonderful. It really was an extraordinary place to live.
JS: Definitely not frogs’ legs. I’ve tried them and ugh. I’d say snails, but I would just have the butter and garlic part without the snail. That’s the best part.
JS: It was Boss Baby. And I actually went to the [movie] theatre. I feel like there’s been a lot of good TV lately. I’m really into Fleabag – I just watched the whole season in probably three days. Veep is also great. I really look forward to Sundays, when I can see Veep.
JS: Speak up, I guess. It’s broad, but it’s important to have your voice heard. And I think “you only live once” is a pretty good motto.
JS: I got what I called a baby banjo for Christmas a few years ago. It’s a four-string banjo that is more like a ukulele that I take with me when I travel because it’s tiny. And I can kind of play it. That’s a secret mini talent.
JS: Pretty much anything that Beyoncé does. “The Beyoncé” is what I’ll call it. Because whatever dance she does, it’s now hers.
Bonus fact: After hearing that Julia loves Beyoncé, we played Lemonade while we shot the stunning photos for this post. During the shoot, Julia revealed that she has “Formation” set as her alarm. Brb, doing the same.
JS: I did go, but it was when I was a junior. I went to a senior prom because I was invited by my gay best friend. My mom still has the pictures.
JS: When people say “sorry” when they don’t really mean it. Like, a politeness or formality sorry. Although I do spend a lot of time in Canada and they say “I’m sorry” as an “excuse me”. So I guess I should come up with a different pet peeve!
JS: I love going swimming, whether it’s indoors or outdoors. And then cooking dinner for friends is always fun. Just simple stuff. I also love going to concerts and hearing live music. There’s a band I haven’t seen live yet who I would really like to – it’s a great, great band called Nathaniel Rateliff and the Night Sweats. They’re so good. The whole album is so, so good.
JS: It was a while ago, but yes I do. I went to see the Spice Girls during the filming of that movie. I’m pretending I only went because my younger sister wanted to go and I was chaperoning her, but I actually secretly wanted to go too.
“I worked in a pub next to Harry Styles’ house in London. The first time he ever came in, I was so excited I ended up stealing the fork he used to eat his food with. I took it home with me and kept it in a bag for a good six months!”
The accidental spit:
“I have followed 5 Seconds of Summer since their early YouTube days in 2011. When they came to my state for the first time this past August, I was the first to grab my tickets. I spent months preparing and figuring out what I was going to do when I finally saw them. So, I prepared my sign with the fairy lights around them that said ‘Forget your English Love Affair, I can be your Mrs. All American’ (song names). My dad surprised me with meet and greet tickets the day before. I was planning on being the cool and confident fan girl that they liked, but that was soooo not what happened. When I finally walked up to the table where Ashton, the drummer, and Calum were sitting, I choked on my own spit and it flung out onto Calum’s face, and then I cried.”
The Niall stalker:
“I followed Niall Horan from One Direction around a golf course. Didn’t talk to him, just stuck close and creepily stared… I don’t even like golf.”
The story of Jack “Bearakat”:
The Bloomin’ tattoo:
“Got a tattoo of Orlando Bloom’s first public Instagram post because he’s god.”
“After One Direction’s Take Me Home tour concert, I found out which hotel they were staying at, and obviously it was the one with the thousands of girls by the front door. I knew Harry Styles’ sister, Gemma, was at that concert from an earlier Instagram post, so I thought I could try to pretend like I’m her and see if they’ll give me a room key. I snuck in the back door, convinced the front desk women that I was Harry Styles’ sister with a terrible British accent (the only question she asked was who the tour manager was, and at the time it was Paul Higgins so duh), and then I went up the elevator to the booked out floor they had. I was probably pacing in the hallway for about an hour until I got the nerve to use Gemma’s room key, and when I did it was empty. I looked around and I knew it was her room because there was an envelope with her name on it and the special concert passes from that night on the dresser, so I snatched them and bolted.”
Hitching a ride:
“OK so, this wasn’t me but it was still hilarious. When I was in middle school my two best friends won meet and greet tickets off the radio to meet R&B singer Mario. I was honestly unfazed, but going along as support. These two older chicks made sure they got seated right next to where he’d be sitting. Question time came, and we were all pressured into asking something and these two girls asked what hotel he was staying at. He declined to answer, obviously.
When we were leaving, walking along to my friends mom’s car, we saw them both climbing under the car that would take him back to his hotel. I’m not sure if they jumped out when he came out or what. But looking back, I admire that level of commitment.”
Not actually Milk Fic:
The 1D camp-out:
“I camped outside of One Direction’s concert in Ireland (which I flew to from Florida because there were no concerts close to Florida) and waited for three days on the streets in a foreign country (in October so it was freezing) with signs that I brought from home just so Harry Styles would smile at me.”
Draco’s biggest fan:
“When I was 11 I was embarrassingly obsessed with Tom Felton, aka Draco Malfoy from Harry Potter. I would spam text my friends ‘I love Draco’ over and over again, I got a cardboard cutout, I would tweet Tom Felton constantly to get him to tweet back to me, I photoshopped my face to pictures with him, I even bought a autograph for $100 that may or may not even be authentic. I asked him on Twitter and he replied ‘probably not’.”
“When I was at a One Direction Concert for their Midnight Memories Tour, I swear Niall Horan waved at me, so I went crazy. I eventually couldn’t breathe and I passed out.”
The epic proposal:
A sacrifice for Liam’s sweaty towel:
“When I was 16 I was OBSESSED with One Direction. I flew all the way from Hawaii (where I live) to Miami to see them in concert. About halfway through the concert Liam wiped his face on a towel and then threw it into the audience. I was a few rows from the front and was hysterical when I caught it. But the happiest moment of my teenage life lasted all of .05 seconds because the girl next to me tried to grab it out of my hand! Then, when I wouldn’t let go, she started punching me and then, I kid you not, SHE SAT ON ME. The worst part is security made me give her the towel because they thought she was the one who caught it!”
The cold wait:
“I waited in line 23 hours for a Panic! At The Disco concert. This may not seem a lot, but I slept on the street and it was freaking November.”
–Beatrice Toscano, Facebook
Panic at the Kinky Boots:
“Very recently my friends and I flew to NYC for four days (we’re from CA) just to see Brendon Urie (you know, Panic! At The Disco) on Broadway in Kinky Boots. Not only did we scream like the fangirls we are during the show, but we realised you can meet the cast after. Once we finally met him, got his autograph, and took an adorable selfie we burst into tears because of excitement. I was so nervous the whole time we were talking to him I got tunnel vision and was dizzy.”
All Time No:
“The first time I met the All Time Low boys, I gave Alex a giant notebook filled with letters, shitty drawings, interview questions, and my phone number. Oh, and I also cried.”
The avid “Claymate”:
“In the early-mid ’00s, I was a massive Clay Aiken fan, or ‘Claymate’, if you will.
Not only did I have all his CDs, merchandise, the memoir he wrote, and each of his TV appearances taped on blank VCR tapes, but fans in the ‘Claynation’ were notorious for recording concerts and giving DVDs and CDs to fellow fans. We called this ‘Clack’, as his music was as addictive as crack. So cringeworthy, right? In December 2006, when I saw him in concert (for like the fifth time), I had agreed to call a fellow fan in Oregon, so that she could hear the show – we called it a ‘cell-cert’, or cellphone concert. He actually SAW me from the stage and called me out!”
“I will be forever be known by anyone who went to middle school with me as the crazy Avril Lavigne fan. Had posters plastered all over my walls, took up skateboarding, the whole thing. At one point when she was engaged to Deryck Whibley from Sum 41 I made her a SCRAPBOOK about their relationship and actually mailed it to her. Never heard anything back, I don’t blame them.”
The fence climber:
“I was climbing a fence while it was raining and was pushed down by security because I was trying to reach Ricky Martin at the Latin Grammys red carpet event.”
The happiest birthday:
Inevitably, there will be a person who won’t care that I was there last Saturday when Carly Rae Jepsen performed her 2015 album Emotion live with the Toronto Symphony Orchestra. He will think it is somehow less cool, less important than the time he saw LCD Soundsystem’s ostensible goodbye show at Madison Square Garden. This will most likely occur while we are on a date, and he will probably be wearing a Strokes T-shirt he bought on Amazon. This dude sucks, and I would like to take the time now to tell him to go fuck himself.
It is this general need to prove myself, I think, that led me to buy a round-trip ticket to Toronto for a mere 32 hours just to bear witness to Jepsen’s one-night-only appearance at Roy Thomson Hall backed by some of her home country’s finest musicians. Maybe, I thought, a night with Carly Rae Jepsen would make the world feel like less of a horrible place. Maybe everything would be a little less serious for a few hours. At the very least, I knew I would have fun.
To varying degrees of success, recent pop music offerings have attempted to tap into America’s political urgency. It does not always make for the kind of Leave It All on the Dance Floor catharsis that so many of us look for in pop music. The most blatant attempt to create a “woke” pop album came a couple weeks ago with Katy Perry’s Witness.
In an attempt to be palatable to an even wider audience, Perry tried to assert herself as someone who makes “purposeful pop” instead of the Teenage Dream–era bops we all actually like. It was a horrible misfire. “Perry seems like she’s throwing everything at the wall in an album marketing meeting and waiting to see what sticks,” wrote Ira Madison III for Vulture. “Katy Perry’s Witness Has the Inherent Appeal of Spectacular Failure,” said Spin. Though the album debuted at No. 1, Perry’s public persona grates on our national consciousness. She wanted to move forward as an artist and, I guess, a person, so she dropped the artifice of Katy Perry and tried to introduce us to Katheryn Hudson. Suffice it to say, we didn’t like Katheryn.
To be fair, most people don’t like Carly Rae Jepsen. She’s still known as the “Call Me Maybe” singer to a vast swath of the population. Emotion only peaked at No. 16 on the Billboard 200. It received positive reviews from critics, but gained little traction outside word-of-mouth endorsements. My guess is that if you chose a stranger at random, they would not know that listening to “Making the Most of the Night” at full blast is a scientifically proven way to get over even the most acute malaise. They are missing out.
A motif of Jepsen’s oeuvre is “The Feeling.” “Oh baby / Take me to the feeling / I’ll be your sinner in secret / When the lights go out,” the chorus of “Run Away With Me” goes. Her latest song, which came out last month and is the sonic equivalent of the exact moment when ecstasy hits, is simply titled “Cut to the Feeling.”
“The Feeling” is, roughly, one that resembles love, or maybe just lust, but certainly exuberance. Jepsen’s music, for those of us who have claimed her, is a refreshing offering from a pop star who has abandoned pretense. While Katy Perry insists that we view her as an artiste, Jepsen just wants you to dance with your friends. There is only one slow song on Emotion, the Dev Hynes–produced “All That,” and even then, the chorus demands to be sung at full volume and accompanied by dramatic hand gestures. Jepsen takes having fun very seriously, and as a result Emotion is an album that could be played straight through without clearing the dance floor.
Despite what I just attempted, “The Feeling” is hard to put into words. However, it can be encapsulated in an experience. You will understand “The Feeling” the moment you hear a classically trained saxophonist performing the opening notes to “Run Away With Me.”
This is how the concert opened, and just like that, there was no turning back. All 2,630 of us were ready to experience joy.
With her short blonde hair reminiscent of a mom who decided to “change it up” and a floor-length sequined evening gown, Jepsen looked her age. She is 31 years old, which one might not guess from a song like “Boy Problems,” whose Petra Collins–directed video features a bevy of young women bemoaning the boy (and he is definitely a boy, not a man) who has caused them so much strife.
Constricted by both her attire and the fact that this was an event that imbued a certain kind of decorum, Jepsen stayed in one spot for most of the show. Her minimal movement reminded me of what it’s like to watch a Barbra Streisand or Bette Midler performance from the last 20 years. It felt as though we were all there watching the great comeback tour of an artist we had all spent our adolescence obsessing over, instead of someone performing an album that had debuted almost exactly two years ago.
A Streisand or Midler comparison feels apt if only for the sake of describing the audience that attends a Carly Rae Jepsen concert. It was summed up best by a woman I overheard at the end of the show, who declared the evening “gayer than Pride.”
She wasn’t wrong. The demographic that, based on a rough estimate of concertgoers, makes up the majority of Jepsen’s most rabid fanbase is queer white people ages 25 to 35. At intermission, the group of men next to me debated who was a better live performer, Jepsen or fellow gay icon Robyn. The answer was resoundingly Jepsen, who sounds almost exactly like she does on a recording.
Just before the intermission, Jepsen stopped to tell us that she felt so incredibly happy, it verged on being uncomfortable. “It’s like a painful happy, you know,” she posited. This was not usual concert banter. It’s easy to see through an artist when they say, “This has been the best crowd yet!” But Jepsen, surrounded by only people who had very purposefully chosen to be in her presence, had to be believed. She then launched into her virtually unknown 2008 single “Tug of War,” a Vanessa Carlton–esque ditty that is mostly chorus. The applause was thunderous.
Throughout the show, I could not stop thinking about one particular line in Susan Sontag’s 1964 essay “Notes on ‘Camp.’” “In naīve, or pure, Camp, the essential element is seriousness, a seriousness that fails. Of course, not all seriousness that fails can be redeemed as Camp. the proper mixture of the exaggerated, the fantastic, the passionate, and the naīve.”
To call Jepsen’s concert “the proper mixture of the exaggerated, the fantastic, the passionate, and the naīve” amidst a night where seriousness had failed feels almost too neat. And yet, looking back on it, that’s what it was. What was intended to be a night at the orchestra to celebrate Canada’s 150th birthday quickly became a thrilling gay dance party helmed by an artist a majority of people consider to be a one-hit wonder. It was two hours of pure bliss, surrounded by people who understood, completely, what we had all come to do.
Saying “I was there” is one of the great prides of a music fan. It’s kind of bullshit, because most of it is just luck anyway. No one who went to Woodstock or, regrettably, Altamont knew that they were going to be part of history. But I like to think that everyone at the Roy Thomson Hall last Saturday night knew what was happening. We were all there. Carly Rae Jepsen was there. And in a world where everything is terrifying — especially if you are a woman, a person of color, queer, or any combination of the three — for a brief two hours, we got to go to The Feeling.
Olivia Craighead is a freelance writer based in Brooklyn, New York.
Here’s everything coming to Netflix in July:
Disney’s The Mighty Ducks
Madagascar: Escape 2 Africa
The Truth Is in the Stars
E.T. the Extra-Terrestrial
Zip & Zap and the Marble Gang
The Invisible Guest (Contratiempo)
Albion: The Enchanted Stallion
The Boy in the Striped Pajamas
Out of Thin Air
The Longest Yard
Jackass: Number Two
Are We There Yet?
Are We Done Yet?
The Land Before Time
The Land Before Time II: The Great Valley Adventure
The Land Before Time III: The Time of the Great Giving
Spawn: The Movie
Code Name: The Cleaner
The Astronaut Farmer
Best in Show
Proof of Life
The Originals, Season 4
Capo “El amo del tunel”, Season 1
El Barco, Season 1
Deep Water, Season 1
Hostages (Israel), Season 2
Witnesses, Season 2
Offspring, Season 6
Yours Fatefully, Season 1
The Ultimatum, Season 1
Yes We Can!, Season 1
Spice Up, Season 1
World at Your Feet, Season 1
El Chema, Season 1
Extraordinary: The Stan Romanek Story
The Standups, Season 1 — Netflix Original
iZombie, Season 3
Speech & Debate
Castlevania, Season 1 — Netflix Original
Dawn of the Croods, Season 4 — Netflix Original
Degrassi: Next Class, Season 4 — Netflix Original
Luna Petunia, Season 2 — Netflix Original
1 Mile to You (Life At These Speeds)
Bad Santa 2
Gabriel Iglesias Presents The Gentleman Jerry Rocha
Friends From College, Season 1 — Netflix Original
To the Bone — Netflix Original
Chasing Coral — Netflix Original
Buddy Thunderstruck: The Maybe Pile — Netflix Original
Rake, Season 4
West Coast Customs, Season 4
Fittest on Earth: A Decade of Fitness
A Cowgirl’s Story
Aditi Mittal: Things They Wouldn’t Let Me Say — Netflix Original
Ari Shaffir: Double Negative: Collection — Netflix Original
Girlfriends’ Guide to Divorce, Season 3
Rogue One: A Star Wars Story
Pretty Little Liars, Season 7B
Ozark, Season 1 — Netflix Original
Last Chance U, Season 2 — Netflix Original
The Worst Witch, Season 1 — Netflix Original
Joe Mande’s Award-Winning Comedy Special — Netflix Original
The Incredible Jessica James — Netflix Original
Daughters of Destiny, Season 1 — Netflix Original
The Adventures of Puss in Boots, Season 5 — Netflix Original
After The Reality
Being Mary Jane: The Series, Season 4 — Date TBD
In a Facebook post that’s gone viral, Young said that he was “the recipient of 1,000 hugs from 10,000 lightning bugs for a grand total of 10,000,000 hugs.”
“As the lyrics of the song clearly state, the average layperson would not believe their eyes if 10,000,000 fireflies were to illuminate planet Earth, nor would the average person conclude by natural instinct that 10,000 lightning bugs, acting as a collective group, are capable of embracing a human being 1,000 times without difficulty,” he said.
“By the same token, a gathering of lightning bugs in such vast numbers form a sort of ‘swarm,'” the singer further clarified. “And a swarm can collectively surround a human and deliver a ‘hug’ that a single firefly, acting according to the dictates of his own conscience, simply cannot.”
Young acknowledged that this “may seem inconceivable due to the firefly’s soft-shelled body, which is common among all winged beetles within the Lampyridae insect family,” but that he “can testify to the accuracy of this exchange.”
“I can furthermore add that while each individual hug took place, each firefly participated in the chemical reaction commonly known as bioluminescence in which the enzymes within the firefly, in the presence of oxygen, magnesium ions and ATP, emitted a chemically produced light or ‘glow’ because they were happy to be hugging me,” Young concluded, along with a reminder to stream the song on Apple Music and Spotify.
Kardashian has publicly discussed her pregnancy complications with both her daughter, North (who’s now 4 years old), and her son, Saint (who’s a year and a half). In a blog post titled “High-Risk Pregnancy,” the reality star wrote about how she has preeclampsia, which makes the birthing process more difficult:
We induced my labor and I had North soon after. Right after delivery, the placenta usually then comes out. Mine did not. My placenta stayed attached inside my uterus, which is a condition called placenta accreta. This is a high-risk condition that happens when the placenta grows too deeply into the uterine wall.
My doctor had to stick his entire arm in me and detach the placenta with his hand, scraping it away from my uterus with his fingernails. How disgusting and painful!!! My mom was crying; she had never seen anything like this before. My delivery was fairly easy, but then going through that—it was the most painful experience of my life! They gave me a second epidural but we were racing against time, so I just had to deal.
This story is developing and will continue to be updated.
Kate Aurthur contributed reporting to this story.
He told ITV’s Good Morning Britain a couple of days after the fire, which killed at least 79 people: “For all of us who live in the vicinity, we have the ability to do something and that’s what I’m hoping will happen with the record is that it pricks a few people’s consciousness and then other people decide to do something else… I think it is the right thing to do.”
He told the show that he lives in the area and has seen the volunteer action by the community. “The song is important because it obviously has to be sincere, it has to have the right message and it most importantly, for me, it has to mean something to the people affected by what happened.”
“I don’t mind talking about him at all. He’s a lovely person,” she told New York Magazine in March. “I don’t know. It feels like such a huge thing. Last year was a giant, big year for my heart. I’ve never, ever thought to keep anything private because that’s not really what I’m like, and now I’m learning those things, and they’re weird, kind of demented lessons to learn.”